Heaven's Basement - Filthy Empire (Album Review)

If one band has had more ups and downs than a groupie’s knickers, (if you’ll pardon that well-worn phrase), having tried and tried again for years on end, then surely, success must prevail for Heavens Basement at last? With a history of hectic touring schedules behind and ahead of them; some significant band member changes over the years and two EPs to their name, the UK rockers are about to release their debut album, recorded and produced by John Feldman (Black Veil Brides/Papa Roach).

Written by: Anna Ghislena | Date: Thursday, 31 January 2013

Guapo - History Of The Visitation (Album Review)

The world of ‘progressive rock’ is one riddled with contradictions, especially today, when most of the bands that are generally seen to fall within its boundaries are arguably the very opposite of ‘progressive’ in their clear reliance on the influence of the classic prog acts of the 70s. Guapo, though, have a little more genuine claim to being ‘progressive’ than most of their contemporaries. Certainly the band is not especially original in the aesthetics of their sound, but there is something in their approach that bites a bit more keenly than the work of many others.

Written by: Ben Bland | Date: Wednesday, 30 January 2013

The Bronx - IV (Album Review)

Often, album titles can hint towards what the album is about, or can offer some ideas as to how it could differ from past works. The Bronx, however, do not follow convention. Where the likes of Billy Talent eventually broke their eponymous titling last year, we now find ourselves facing the Los Angeles punk outfit's fourth self-titled record. Regardless of giving nothing away in the title, the record feels long overdue, and - in that sense - the fact there is a record at all is enough!

Written by: Heather McDaid | Date: Monday, 28 January 2013

Biffy Clyro - Opposites (Album Review)

I’ll start with an admission. Biffy Clyro are the band that changed my life. You wouldn’t be reading this review without them. They sparked in me a passion for music that has only grown since the day I first bought 'Infinity Land' (in the St. Albans branch of HMV in case you were interested) as an impressionable thirteen year-old. This Scottish trio not only made music that I found immeasurably appealing, they seemed like three ordinary guys who were prepared to sweat it out for long-overdue success. That’s what they did. Fast forward a few years and Biffy Clyro are the biggest guitar band in Britain, besides Muse. They have earned their success through sheer hard work and dedication to their craft. 2007’s 'Puzzle' and its follow up, 2009’s 'Only Revolutions', may have lacked a bit of the raw excitement of their early material but Biffy Clyro still had a discernible character that was all their own. Their move away from awkward post-hardcore was not selling out, as some would claim; it was just a natural progression of the band’s sound. Biffy moved into creating stadium-sized rock with a heart and a soul, whilst retaining a very real personality that continued to set them apart from lame posturers such as All Time Low and You Me at Six.

Written by: Ben Bland | Date: Monday, 28 January 2013

Pure Love - Anthems (Album Review)

“I’m so sick of singing about hate, it’s never gonna make a change!” These lyrics make me chuckle. Not because they’re funny. No. They make me chuckle because they’re sung by Frank Carter. And the last time I saw Frank Carter, he was at risk of shredding his vocal chords whilst screaming “Misery fucking loves me! And I love her so!” in front of an incessantly violent crowd. At 11 O’clock in the morning. He also got a circle pit going. At 11 O’clock in the morning, ladies and gentlemen. Surely you can all understand how taken aback I was when I heard him sounding, well... happy.

Written by: Alec Chillingworth | Date: Sunday, 27 January 2013

The Joy Formidable - Wolf's Law (Album Review)

Female-fronted Welsh trio The Joy Formidable return with a follow-up to their 2011 debut offering in the shape of ‘Wolf’s Law’.

Written by: James Goodall | Date: Friday, 25 January 2013

Boduf Songs - Burnt Up On Re-Entry (Album Review)

It’s difficult to get a firm grip on what makes Mat Sweet (the man behind Boduf Songs) tick. It would certainly seem that it’s not enough for him to merely present his feelings; he wants to make us feel with him. Such a desire has resulted in a change of musical approach for album number five. The Red House Painters-esque acoustic format previously favoured by Sweet is here ditched for a more varied palate that sees him shooting for the dense, if uncluttered, soundscape approach of Swans as well as the seamlessly contradictory arrangements of Radiohead.

Written by: Ben Bland | Date: Friday, 25 January 2013

Tomahawk - Oddfellows (Album Review)

There’s no point in trying, and inevitably failing, to sum up Tomahawk. Let’s just call them a supergroup, and not one of those supergroups that fall into the category just because one of their members is an ex-member of Whitesnake or something. Tomahawk are Mike Patton (Faith No More, Mr. Bungle), Duane Denison (The Jesus Lizard), Trevor Dunn (Mr. Bungle, John Zorn) and John Stanier (Helmet, Battles). All legends in their own right those guys, whether their names leap off the screen to you or not. Dunn is a new member to the fold, replacing Kevin Rutmanis (Cows, Melvins) on bass, but otherwise this is the same ensemble cast that made three delightfully intriguing records in the last decade. Never entirely one thing or the other, Tomahawk are perhaps best categorised as a plain old ‘rock’ band, but then such determination to categorise can be misleading.

Written by: Ben Bland | Date: Friday, 25 January 2013

Cult Of Luna - Vertikal (Album Review)

It’s been a long time since we have heard anything from Cult of Luna. Perhaps more so even than genre progenitors Isis and Neurosis, Cult of Luna have been the critical standard for atmospheric sludge based heaviness over the last decade and more. Their last three releases in particular, the epic 'Salvation', the crushing 'Somewhere Along the Highway' and the brooding 'Eternal Kingdom', have won unanimous praise from pretty much everyone who has ever heard them.

Written by: Ben Bland | Date: Wednesday, 23 January 2013

Riverside - Shrine Of New Generation Slaves (Album Review)

Riverside have always been a rather curious band. Never quite living up to the huge potential they demonstrated on their first two records, as a band they are perhaps representative of a modern progressive rock scene that struggles with risk-taking. Certainly Riverside are a talented group of players and songwriters, but by the time that 2009’s 'Anno Domini High Definition' rolled around you could be forgiven for thinking that the band had used up all the tricks in their narrow rock/metal arsenal.

Written by: Ben Bland | Date: Tuesday, 22 January 2013

Masayoshi Fujita - Stories (Album Review)

Japanese born, but Berlin based, Masayoshi Fujita is no stranger to acclaim with either his El Fog project or through collaborative work, but 'Stories' represents what is being presented as his first solo album proper. A student of the vibraphone, an instrument so largely ignored within the sphere of contemporary music that even the most indulgent seventies prog rock artists struggled to find a use for it, Fujita takes influence predominantly from the world of classical and jazz, something apparent throughout 'Stories'.

Written by: Ben Bland | Date: Monday, 21 January 2013

Voivod - Target Earth (Album Review)

Although they may now be almost forgotten in the annals of metal history, Voivod’s place amongst the legends of the genre is effectively assured for those in the know. Notable figures such as Opeth’s Mikael Åkerfeldt have attested to their influence, and the near-universal acclaim afforded to their classic work such as 'Killing Technology' and 'Dimension Hatröss' emphasises the importance of their finest era in the late eighties.

Written by: Ben Bland | Date: Monday, 21 January 2013

Septicflesh - Mystic Places Of Dawn (Album Review)

Septicflesh. The name just sounds evil, doesn’t it? For those of you who aren’t wise to Septicflesh’s blackened brand of death metal, worry not; their music more than lives up to the evil suggested in the name. After a 5-year hiatus, they returned in 2008 with the grandiose, unparalleled majesty of ‘Communion’, following it up in 2011 with the inferior (yet still ridiculously skull shattering) ‘The Great Mass’. Fast-forward to 2013, and Septicflesh are on the cusp of re-releasing their 1994 debut ‘Mystic Places Of Dawn’. Given the fact that it was re-issued previously 11 years ago, I’m sure that many fans have been left wondering if they should actually bother with this one. And should they? Well... yes.

Written by: Alec Chillingworth | Date: Monday, 21 January 2013

Funeral For A Friend - Conduit (Album Review)

Welsh post-hardcore outfit Funeral for a Friend’s full circle revival has been completed with the release of their sixth studio album ‘Conduit’. In the past the Welsh rockers haven’t been renowned for their consistency with numerous line-up changes and their previous release history having varied wildly since their much lauded and highly praised debut album ‘Casually Dressed & Deep in Conversation’ back in 2003. ‘Conduit’ however further strengthens the foundations that the band’s last two releases built and shows a positive trajectory that fans will have been hoping to see since the early releases that the band had to offer.

Written by: James Goodall | Date: Monday, 21 January 2013

Mountains - Centralia (Album Review)

They say dogs look like their owners. Well, in the case of Mountains at least, an ambient/post-rock duo of Brendon Anderegg and Koen Holtkamp from Brooklyn, here is one band that sounds like their name.

Written by: Ben Bland | Date: Monday, 21 January 2013

Brokeback - Brokeback And The Black Rock (Album Review)

Where is the black rock? All I see is a pylon and a petrol station in the middle of a desert. I don’t like being misled like this. I want to see Douglas McCombs standing on a massive dark rock the size of said petrol station, perhaps brandishing a Fender Jazzmaster or a sword. It could look like one of those so terrible they’re hilarious covers of Metal Hammer where they get Mikael Åkerfeldt (or someone equally metal and beardy) to smear themselves with fake blood and brandish a medieval weapon as if they are about to decapitate Justin Bieber.

Written by: Ben Bland | Date: Monday, 21 January 2013

The Blackout - Start The Party (Album Review)

When the title and artwork for the latest album from The Blackout ‘Start The Party’ was released some fans feared the welsh sextet had had a little too much fun in the sun and their fourth album would be more at home in the clubs of the Balearic Islands; but they wouldn’t do that to their fans, would they?

Written by: Amy Angel | Date: Sunday, 20 January 2013

Leviticus Pharaoh - As Elizabeth (Single Review)

Now if I were to say to the words “Leviticus Pharaoh”, what would be your immediate reaction? I felt as though someone had thrown a copy of the Old Testament at me and I was about to hear to some obscure Christian revival band warning me of the dangers of ignoring burning bushes. However, I couldn’t have been further from the truth. Leviticus Pharaoh, who to my mild disappointment was not born Leviticus Pharaoh, but Joselito Antonio Gonzalez Pharaoh is a singer, songwriter and dancer who has a colourful geographical history.

Written by: Jaspreet Kaur Takhi | Date: Wednesday, 16 January 2013

Bon Jovi - Because We Can (Single Review)

The first single to be taken from the mega-selling New Jersey veterans forthcoming album won't change anyone's opinion of the band. Seasoned haters will undoubtedly loathe it, but how will their long term fans react? Aside from blindly devoted sycophants, the response to Bon Jovi's post millennial output has been mixed, with many bemoaning a lack of swaggering, guitar driven rock & roll tracks in favour of country infused ditties and U2 influenced anthemics. In contrast, others love the way they've welded their endless optimism to a more contemporary sound, refusing to be a one trick nostalgia act. 'Because We Can' will only intensify that divide as it's easily the most commercial piece of pop candy Bon Jovi have ever written, with it's chirpy chorus and minimal guitar work a world away from the blue collar raunch of 'Bad Medicine'.

Written by: Simon Ramsay | Date: Wednesday, 16 January 2013

Black Veil Brides - Wretched And Divine: The Story Of The Wild Ones (Album Review)

Few bands seem to divide the masses nowadays quite like California's own Black Veil Brides. Openly on a quest for world domination, the band opted to challenge themselves with their third record by conquering the rock opera concept album, with an accompanying movie for those so inclined. And so, we turn to the highly anticipated 'Wretched and Divine: The Story of the Wild Ones'.

Written by: Heather McDaid | Date: Monday, 14 January 2013